Friday, November 27, 2015

How to be a Gift Giving Magician

The following article by Mr. Snapper appeared in the first issue of our joint newsletter, Snapperama. For more content like this, exclusive photos, projects, and performance dates, subscribe to the newsletter at www.snapperburlesque.com

How to be a Gift Giving Magician 

by Mr. Snapper

 
Of gift giving it is often said, “It’s the thought that matters.” Usually it is said in a conciliatory tone after some token of affection has fallen flat, but it is nevertheless a holiday truism. The more thought you put into your gift giving, the greater the reward, but even a little bit of consideration can up your game. Sit back while Mr. Snapper tells you how to turn even the smallest trinket into a big emotional payoff for your loved ones.

The secret is narrative. Politicians, priests, and other assorted performance artists have long since known that hard facts and figures are nothing compared to a good yarn. Our monkey brains are fueled by storytelling. It runs through our veins. By giving a gift that tells a story, you tap into a deep evolutionary well.

And what story should you tell with your gift? That all depends on whom you are giving it to, and herein lies the application of thought.

What do you know about this person?

What do you know about their past? Their childhood, their college-age aspirations, etc. What do you know about their present? Current interests, problems, etc. What do you know about their future? What goals are they working towards, etc.

Make a list of what you know. Just making this list, you should already have a couple of ideas sparking off. You can take a couple of the items on your list -- say, something from their past and something from their future -- and triangulate on a gift that will knock their stockings off.
I’m going to give you an example from the lives of the Snappers. Red grew up reading the Frances series of children’s books by Russell Hoban. Red is also studying French. I happen to know that when learning a new language, it can be helpful to find and read children’s books written in that language. After all, the vocabulary is simple, accompanied by pictures, and it’s how children actually learn to read their first language.

And thus, I went on the hunt for a French language version of the Frances books and eventually found Bonne nuit, Adele!,  the French version of Bedtime for Frances. There is a certain utility to this gift. I like gifts that can be used. The gift becomes a ready reminder of you, the gift-giver, and how much you dote upon the receiver.

Just make sure to keep your process a big secret. When you put this much thought and effort into gift giving you are literally making magic happen. And a magician never reveals the trick.

Saturday, October 24, 2015

Reflection

I learned from my mother yesterday that my final grandparent, her mother, had a heart attack and stroke and would pass in the coming days. My pragmatic mother asked me to alert one of my five siblings as she was preparing to fly out to see my grandmother in her remaining days. My last grandmother at 90 years of age was wrapping up her life, and all I could think was that I wanted her passing to be as swift and painless as possible. I then thought of my mother, how sad she was when her father passed nearly 30 years before. I asked her if there was anything I could send along to be of assistance, as I am also pragmatic. My thoughts turned to how I should process the upcoming loss.

I wasn't close to my grandmother. I was under the impression that my parents' union was undesireable to my maternal grandparents. My father was a troublemaker who became a cheater. My grandparents were very middle class people, seeming to be the perfect television family of the mid-century. I spent most of my life living at the opposite end of the continent from them. The narrative from my talky father was that my grandfather was pissed about their union. It was implied that we were the lesser grandchildren because our father was "undesirable." I know most of my siblings grew up with this in mind, thinking we weren't considered good enough or worthwhile to my mom's mom and dad. We were never invited on vacations with my grandmother, didn't have snapshots of fun weekends with them, didn't even really have phone calls where they asked about our lives. I'm sure it was the distance, but it didn't help the narrative that we weren't good enough. I didn't even bother telling my grandmother about my wedding because I figured my young age would predict failure in her eyes simply because my father wasn't what they wanted for their oldest daughter. How do you process the life and loss of someone you felt had only a polite interest in you because of half of your parentage?

In a fast chat with my brother, I realized he probably wasn't sure how to process the end of our grandmother's days. We grew up under the same impression. We didn't want our mother to experience grief, but we felt disconnected from our grandmother. My youngest brother didn't really spend more than a few hours with her beyond his infancy. He didn't know her beyond Christmas cards with money and visits every few years. He has fewer memories than I do.

I decided to indulge in a narrative of the positive experiences I had with my grandmother so my younger siblings can know a little bit more about what she was like, and how she influenced my life a bit more than one might expect from a long-distance relationship. As my father's daughter, I felt challenged to impress my grandmother all the time. (My grandfather had resting bitch face all the time as if he could never be impressed. That's where I got mine.)

My grandparents had concrete deer in their front yard. I loved climbing on them. When I was a little thing, I could only climb onto the fawn. When we visited for their 40th wedding anniversary, I could climb the buck. She never told me to stop because I would potentially break them. I didn't have to sneak onto the deer. I could freely pursue something small and simple that made me happy.

When we visited my grandparents, I would go on daily walks through the neighborhood with my grandmother. We'd pass through a perfect suburbian neighborhood, passing the town library and the post office and that yard that had a totem pole. There was at least one mulberry bush on the path, and she knew I was drawn to mulberries as a moth to a flame. She didn't discourage me from indulging as long as we kept moving. There was no time to pack a lunch from the mulberry bush, but I could grab a couple berries as we passed. It was important to see an undertaking through to the end and not get too distracted along the way.

My grandmother was a school teacher when I was a child. I wrote to her after we moved away, and she used my letters full of childish importances to instruct her first grade class. It seemed I could be a good example for someone.

When my grandfather died, my grandmother busied herself with new pursuits. She took up the flute and violin, learned to tap dance, went to Europe with her sister a couple times. She made a point of having at least one meal a day with someone so she wouldn't feel alone. She was a firm believer in continuing education, and she never seemed to feel she was too old to learn how to do something new.

Two of the best holiday cookie recipes I have (candy cane cookies, cherry coconut bars) came from my grandmother. Holiday cookies are best made in large batches intended for sharing. Holiday baking is a ritual that was passed to me from my mother that I passed to my younger sister, and we still use those recipes. You have to share the best stuff because you want other people to have some awesomeness.

She had a prize box in her basement. If the grandchildren were well-behaved, they could select a prize from the prize box at the end of the visit. I got a battery-powered draw poker machine from that prize box that entertained the hell out of me on the train ride home. I love rewards that are actual rewards, and I'd still like to get prizes when I behave.

Once when I visited her, the neighborhood kids and my cousins had a bicycle race. I didn't learn to ride a bicycle until I was twelve so I kept time. My schoolteacher grandmother made blue ribbons for everyone who participated. They weren't lame "participant" ribbons; they were "first place" blue ribbons. On the back of each ribbon she acknowledged the individual talents and contributions. There were things like "First Place Cyclist - 10 Year-Old Division" and "Coolest Shoes." I got a blue ribbon for keeping time. It was pretty cheesy at the time, but I recognize that she wanted everyone to feel valuable and worthwhile. 

My grandparents celebrated their 40th wedding anniversary when I was ten. I hung out in the bar of the VA and chatted with the menfolk when I took breaks from passing out drink tickets at the door. I flipped through the photo albums of their married histories, albums I'd never seen previously. I was fascinated by these people whose pre-me lives I had never known. I'd love to get my hands on those albums today. It was curious that they were celebrating their 40th anniversary when the 50th was supposed to be the big one. My grandfather died of cancer within a couple years of the celebration. The lesson I took away from that was to celebrate every moment I could, commemorating what I felt was important because the celebrations carry you through the tough times you'll face.

I know I'm not the only person to face the death of a relative, and I know I'm not the only person to not know what emotions and experiences are appropriate in such a situation. Maybe I should keep a box of blue ribbons around to celebrate people's lives as they pass from mine. Maybe I'd write on Ellen's ribbon "Best Educator" or "Best Mom's Mom." Maybe she'd get "Best Attempted Redhead" or "Most Patience." 

Maybe most fitting for me to write would be "Challenge Accepted."

Thursday, August 6, 2015

Naturally

Now that the magazine is out, I can share this outtake from our trip to Desert Hot Springs.
Photo (c) Chris Beyond Photography

Want to know the story? Get Bachelor Pad Magazine Nightcap Edition and you can read Mr. Snapper's story. You can also see the first naked man in BPM! (I make a cameo in the story as well.)

I'll keep you posted on my next naked appearance. In the meantime, you can get my bunny slipper photo (uncensored) by SH Photo on the website.

Tuesday, July 21, 2015

Twenty Minutes

What can you accomplish when you just focus for twenty minutes? Twenty minutes a day dedicated to improving your burlesque presentation.

Today I spent twenty minutes just working on glove peels. It's a rare day of humidity in Los Angeles, my hands were sweaty, but I had twenty minutes of glove work on my to-do list. I set the timer on my phone and went to work. In playing around for twenty minutes, I worked out a move that is interesting and dynamic enough to me that I'm going to work it into some new choreography I'm doing in August. There are things to be tidied up, rehearsals to be done. I got it on video so I can reference it for improvement.

It got me to thinking what could be tackled in just twenty minutes a day. We all live busy lives. I talk to people all the time who just don't have time to focus on burlesque yet want to pursue burlesque. I'm going to try to focus twenty minutes each day on burlesque -- outside of answering emails and working on costumes. (Those things are already drilled into my daily routine already.)

What burlesque task can you tackle in twenty minutes?

- Working on stripping out of one garment. Perfect chance to brainstorm!
- Learning a new makeup technique.
- Repairing a damaged costume piece.
- Adding some embellishments to an existing costume piece.
- Assembling pastie bases so you have them ready for the next project.
- Learning a new dance move.
- Working through that one piece of choreography that isn't quite working yet.
- Practicing body angles.
- Perfecting a warm and inviting face for your audience.

Join me in focusing for twenty minutes a day for the next 31 days, will you?

(I spent twenty minutes learning how to better curl my hair a couple months ago. It's paid off quite well.)

Wednesday, June 24, 2015

Changing Values

It's not a bad idea to reflect on your values from time to time. It keeps you in check. Our values change as time passes. That's okay. It's normal to reevaluate what's important to you. Consider two things and decide which is higher on your priority list.

When I was brand new to burlesque, I would dance in every show that would have me. I wanted experience and connections and to entertain a multitude of people. Nowadays, I would much rather present professionalism and polish, hopeful to make more money. There's nothing wrong with either choice. The key is to evaluate what's important to you and keep that in mind when you're making decisions. Your values guide your choices.

Tuesday, June 23, 2015

Topless Vlog #58

Now on Vimeo! Apparently a topless girl yammering about sewing gets blacklisted on Dailymotion for "incite to sexuality." Ha!

Friday, June 19, 2015

The Extroverted Introvert

I've been entertaining people since I was five, both as a stage ham and as a child genius. Like my husband and Kermit the Frog, I have the dream of making millions of people happy through entertainment. I prefer to pay my bills with entertainer money than administrative money.

I'm used to being "on," to focusing on making other people happy or proud or distracted from their own lives. When I'm performing in a show, I know to be as bright, approachable, and open as possible before, during, and after the show; people want to say hello. I've also had demands of "entertain me since you're an entertainer" in regular life. I've been asked by a delivery man at my day job to show him some burlesque moves. When I was into acting, I was commanded to act at a family gathering. Because I'm supposed to be larger than life on stage, I'm sometimes expected to be larger than life in person, ready to entertain at the drop of a hat. Dance, monkey, dance. Sometimes you just want to push some papers around or eat your potato salad and not be called upon to work. (Yes, entertaining people is work.)

Sometimes you have to be "on" because you're used to pretending to be the most social person present. You're called on to generate conversation, make introductions, play hostess at someone else's gathering because someone has to do it. In this world of secret introverts, you may very well be the most extroverted person there, trying to make sure everyone is having a good time.

I love my audience and supporters. I also love not being "on" all the time. I'm an extroverted introvert.

Being social takes work for some people. Some of you fine folks relax by dressing up, going out, and being entertained. When you're used to entertaining people, you plan your week to end with no pants and video games and comfort food. You curl up with a book, chain watch a television series, finally conquer that pint of ice cream you've yearned for while you were on your show diet. You put on a mud mask and kill an evening window shopping online. I like to put on my yoga pants and a random shirt that I've worn too many times between laundering, kick back with my dogs, and devour an entire tub of cheese spread with Andrew. Sometimes I craft or work on projects. Sometimes I play a video game. Many times I work out. These are all things that don't require I ensure someone else has a good time. It's "me" time, sometimes with friends.


I'm not the only entertainer who is an extroverted introvert. You would be surprised at how many of us just want to be "off" in our non-entertainer time. Don't be surprised when you don't see us at every outing. Don't be surprised if we're socially awkward in our off time. Don't assume we're stuck up if we're not as chatty when we're not performing. Being "on" is draining, and sometimes we just need to recharge. Sometimes that smiling nod in public is all the energy we have.