Thursday, January 21, 2016

From 2014 to 2016

Photo by Madison Hurley Photography
I didn't do a recap last year. A lot of stuff happened in my world, and I just wasn't feeling it. The challenge with doing a recap for two years is that my gig book is hidden from my overgrown puppy. Let's take a look at what I've been able to sort out for 2014:
  • I had fewer performances -- just 32 in 25 shows. This tallies up to 405 performances for the career. Not too shabby. This is an estimate, because of the hidden gig book.
  • I taught at the Great Burlesque Expo in Cambridge again. I also taught in Hot Springs, and Mr. Snapper and I taught together in Dallas.
  • Fewer festivals for me in 2014, which I'll get to what's happening with that later. I did the Great Burlesque Festival and the Hollywood Fringe Festival. I also performed in San Diego for Comic-Con weekend.
  • Tour stops in Dallas, Hot Springs, San Diego, and Fresno.
  • I created a few new acts, like my California Sunset number and the first version of my Poison Ivy. I performed in a group number with Chocolate Box Burlesque, and Mr. Snapper and I co-hosted their show together. We also created our Goonies duet.
I had knee issues in 2014, and I had a wicked case of anemia that knocked me out of a couple shows. My sweet Doodlebug passed in August 2014, and that took quite an emotional toll. When my dog Holly passed in 2006, I stopped playing guitar for the most part. (I pick it up every nine months or so.) It was a rough time in my house. I did adopt little Coca Carter, who is a hellbeast. I love this dog, but she is a bundle of enthusiasm with teeth.

Photo by SH Photo
My 2015 was curious. I had far fewer performances, which I'll get into why as I break down the year:
  • Fewest performances in a year since I started this stuff in 2007. I estimate I performed sixteen times in twelve shows. This makes it 421 in eight years.
  • I taught some sewing classes, including dress making and corset construction. I enjoy sewing and become better at sewing by teaching. I made some incredible garments this year as well.
  • When I first started doing burlesque, networking was easier. I met people at craft nights and at shows. We'd spend some time together, brainstorm together, and I had bookings coming out of my ears. A lot of those people have retired, and a lot of new performers have popped up. Now it seems everyone wants an audition video of every act you may want to perform, even if you've worked with them in the past. While I agree that burlesque is business, I was missing the community aspect that was there when I signed up; I also missed the networking. I hosted a brunch for the community and started recruiting people to host craft nights. I started teaching community classes for a low price to help performers fill in gaps in their education. I may not have my community ideal yet, but it's not going to improve unless I work on it.
  • No festivals in 2015. I did screen videos for Hollywood Burlesque Festival, which was educational.
  • I performed in Vegas, Dallas on two visits, Houston, Little Rock, and Hot Springs. Our schedules were so full I only got to teach in Hot Springs. These trips are always packed with activity.
  • I created some new acts. I have an act that's built with LEDs that needs a little reworking. I rebuilt Poison Ivy, making the act a bit more couture. I created a dressing and stripping number. (It feels silly to call it a "reverse strip," because that's just getting dressed.) I hosted a nudist comedy show twice. I also rebuilt my mermaid tail for Burlesqueland.
I had two major things working against me in 2015 (besides that video thing): car and work. My car was at 220,000 miles when I finally replaced it in November. I'd lived without a car payment since right after I started burlesque, and I wanted to make it until this spring with the old car. This meant I didn't submit my acts for shows that are driving distance if I couldn't justify renting a car. My car overheated on my way to an October gig in Ventura. The last straw was when it barely made it from the city to the San Fernando Valley on a weekend. I flew to Dallas the following weekend, and bought a car the day I returned. I have a small car payment, but I can now drive to gigs outside of Los Angeles.

The other major issue working against me was my job. At the end of 2014, I cut back my days at the office so I could work on commissions. This meant that the three days I spent at work per week had more financial value for me, and more production importance for the company. A co-worker quit at the end of 2014 and no replacement was hired, which meant taking off or leaving early for Friday gigs was very unlikely. I spent 2015 wishing for a new situation where I could miss Fridays for festivals or leave work in the early afternoon so I wouldn't feel rushed or stressed for the few Friday night gigs I got. A week ago I got an offer for the perfect work-from-home job for me, which means I can build my own schedule and work on the road. I can do Monday, Wednesday, and Friday night gigs without having to tart myself up at my desk if the time allowed. I feel less like Cinderella.

Photo by Modern Noir
So what's in store for 2016? Persistence. Being the best me. Strength. Lots of rehearsals. Maybe even some producing. Turning 40 and celebrating it. Building my community. Going to Texas a couple times and Arkansas a couple times and hopefully other places. Taming the hellbeast. Getting some stuff published, even if it's DIY. Learning. Living.

Tuesday, December 1, 2015

Showgirl Stocking Stuffers

Last year I listed a series of showgirl stocking stuffers on Facebook. While these are great gifts year round, they're especially perfect at Christmas time because all of my recommendations will fit inside a stocking. I've added a few more to the list.

  • Good thread nippers. Don't scrimp on these and buy a $3 pair, even though it may be very tempting. The cheap pairs are barely sharp at all and only nip thread when it's pulled to where the blades meet at the very back. Trust me on this one. Spend a little extra on some Gingers. You can even get a fancy ribbon to tie to them so your seamstress can wear them around her neck while sewing; that's what we did in the costume shop in college.
  • Sharpies. It's always handy to have a Sharpie on hand to color in damages on black garments that you notice at the last minute. Great for autograph situations. Some people use them to create beauty marks. I'm all about color, so I buy them to go with my coloring when I find them in golds and bronzes.
  • Simple false eyelashes. Your showgirl can always use simple false eyelashes. She can double stack them if she wants them thicker. Get her plenty of them because she will use them.
  • If your showgirl travels, chances are she's registered in a frequent flyer program or two. You can gift her some of your miles and that will help her continue her adventures. 
  • Every showgirl needs a sewing kit, but a personalized kit will serve better than the standard kit with a brass safety pin and white buttons. Get your showgirl some needles, a wax button (to strengthen the thread), and a spool or two of thread to match the colors she wears most. I go through a lot of Flamingo and Peacock thread, so small spools of those work best. 
  • Tiny bottles of favorite hooches, disposable flasks, hidden wine bag bras. If your showgirl likes hooch (or wants to smuggle in a favorite hooch-free drink), these are good investments.
  • Every dancer needs a pair of ballet slippers. If the dancer in your life already has a pair, it may be showing signs of wear and tear. Amazon and Dance Distributors are great with sizing. Troll your dancer's wardrobe to see if there is a preferred brand, color, and style.
  • Gift her with a coupon for a free foot massage. Dancer feet are calloused, crampy, and overworked. We don't always take the time to treat them with care and respect. I'm not talking a foot massage that would make Marcellus Wallace upset, but the kind that brings relief to her feets.
  • More foot stuff! For the times when you can't rub her feet, get her some Yoga Toes. They're a great preventative for bunions, and they give the foot an incredible stretch. You can pick them up (or a comparable brand) at the drug store on your way home!
  • Snacks! Tiny packages of favorite snacks are always welcome. Peanuts, mints, jelly babies, jerky, crackers all make great treats for a showgirl on the go.
  • This one takes a little work but will be greatly appreciated. Restock the touring toiletry bag with your showgirl's favorite products. Sometimes we get so busy we forget to restock our travel toothpaste, lotions, and tissues between trips. I always carry slivers of artisan soaps from my hometown because my husband hates hotel soaps.
  • Give the gift of dance. Gift certificates for a local class or recommended technique videos are very welcome.
  • Charming pillboxes, lipstick cases, and tiny yet durable containers are fantastic showgirl stocking stuffers. We always need tins for hair elastics, bobby pins, and pasties.
  • Showgirls (and some showboys) can use nail polish. This can be a bit tricky because different folks have different nail polish requirements. One thing is certain: Never buy your showgirl discount nail polish, even if it is just a stocking stuffer. That 99 cent crap can turn nails yellow or peel off right after application.  I'm so rough and tumble that I do best with adhesive nail strips.
  • Poo-pourri. I think everyone needs some of this stuff because it is miraculous. Imagine some random girl from high school who you don't recognize talking BS about you to your niece. You may be a jerk who doesn't even remember who she is, but you KNOW your poo doesn't stink if it ever comes up that you think it doesn't. Allows for a comfortable deposit in a shared bathroom on the road and at home. :) 
  • Something handmade and useful. We have so much decorative stuff because we dress in decorative stuff. (Some of us are the absolute worst at dusting the decorative stuff we have in our house.) Potholders make great drink coasters. Zippered pillowcases make excellent shoe storage. Hand decorated tote bags are always useful. Placemats are great for the makeup table. Ashtrays for hairpins or safety pins. Pin cushions. Heck, glue some cool stuff to a flask and we'll be over the moon! Handmade stuff is awesome! 
  • Stockings, duh. Your girl might go through a lot of stockings if she does stocking peels, or she may just be a fishnet gal. If you can't find her legwear packages for her favorite brand, I'll give you some recommendations in the comments. 
  • This one is simple but is perhaps the most valuable. Give your time. Put on "Don't You Worry 'Bout a Thing" and take some pressure off in an area where you can really help. Washing the dishes, rhinestoning with her simple instructions, hand washing the sparkly bits, cleaning her sewing machine, bringing over salads so she can keep working. You can package this gift simply (Sharpie on a notecard in the stocking), or fancily (an inexpensive watch with a fancy note with poetic words about the gift of time).

Friday, November 27, 2015

How to be a Gift Giving Magician

The following article by Mr. Snapper appeared in the first issue of our joint newsletter, Snapperama. For more content like this, exclusive photos, projects, and performance dates, subscribe to the newsletter at www.snapperburlesque.com

How to be a Gift Giving Magician 

by Mr. Snapper

 
Of gift giving it is often said, “It’s the thought that matters.” Usually it is said in a conciliatory tone after some token of affection has fallen flat, but it is nevertheless a holiday truism. The more thought you put into your gift giving, the greater the reward, but even a little bit of consideration can up your game. Sit back while Mr. Snapper tells you how to turn even the smallest trinket into a big emotional payoff for your loved ones.

The secret is narrative. Politicians, priests, and other assorted performance artists have long since known that hard facts and figures are nothing compared to a good yarn. Our monkey brains are fueled by storytelling. It runs through our veins. By giving a gift that tells a story, you tap into a deep evolutionary well.

And what story should you tell with your gift? That all depends on whom you are giving it to, and herein lies the application of thought.

What do you know about this person?

What do you know about their past? Their childhood, their college-age aspirations, etc. What do you know about their present? Current interests, problems, etc. What do you know about their future? What goals are they working towards, etc.

Make a list of what you know. Just making this list, you should already have a couple of ideas sparking off. You can take a couple of the items on your list -- say, something from their past and something from their future -- and triangulate on a gift that will knock their stockings off.
I’m going to give you an example from the lives of the Snappers. Red grew up reading the Frances series of children’s books by Russell Hoban. Red is also studying French. I happen to know that when learning a new language, it can be helpful to find and read children’s books written in that language. After all, the vocabulary is simple, accompanied by pictures, and it’s how children actually learn to read their first language.

And thus, I went on the hunt for a French language version of the Frances books and eventually found Bonne nuit, Adele!,  the French version of Bedtime for Frances. There is a certain utility to this gift. I like gifts that can be used. The gift becomes a ready reminder of you, the gift-giver, and how much you dote upon the receiver.

Just make sure to keep your process a big secret. When you put this much thought and effort into gift giving you are literally making magic happen. And a magician never reveals the trick.

Saturday, October 24, 2015

Reflection

I learned from my mother yesterday that my final grandparent, her mother, had a heart attack and stroke and would pass in the coming days. My pragmatic mother asked me to alert one of my five siblings as she was preparing to fly out to see my grandmother in her remaining days. My last grandmother at 90 years of age was wrapping up her life, and all I could think was that I wanted her passing to be as swift and painless as possible. I then thought of my mother, how sad she was when her father passed nearly 30 years before. I asked her if there was anything I could send along to be of assistance, as I am also pragmatic. My thoughts turned to how I should process the upcoming loss.

I wasn't close to my grandmother. I was under the impression that my parents' union was undesireable to my maternal grandparents. My father was a troublemaker who became a cheater. My grandparents were very middle class people, seeming to be the perfect television family of the mid-century. I spent most of my life living at the opposite end of the continent from them. The narrative from my talky father was that my grandfather was pissed about their union. It was implied that we were the lesser grandchildren because our father was "undesirable." I know most of my siblings grew up with this in mind, thinking we weren't considered good enough or worthwhile to my mom's mom and dad. We were never invited on vacations with my grandmother, didn't have snapshots of fun weekends with them, didn't even really have phone calls where they asked about our lives. I'm sure it was the distance, but it didn't help the narrative that we weren't good enough. I didn't even bother telling my grandmother about my wedding because I figured my young age would predict failure in her eyes simply because my father wasn't what they wanted for their oldest daughter. How do you process the life and loss of someone you felt had only a polite interest in you because of half of your parentage?

In a fast chat with my brother, I realized he probably wasn't sure how to process the end of our grandmother's days. We grew up under the same impression. We didn't want our mother to experience grief, but we felt disconnected from our grandmother. My youngest brother didn't really spend more than a few hours with her beyond his infancy. He didn't know her beyond Christmas cards with money and visits every few years. He has fewer memories than I do.

I decided to indulge in a narrative of the positive experiences I had with my grandmother so my younger siblings can know a little bit more about what she was like, and how she influenced my life a bit more than one might expect from a long-distance relationship. As my father's daughter, I felt challenged to impress my grandmother all the time. (My grandfather had resting bitch face all the time as if he could never be impressed. That's where I got mine.)

My grandparents had concrete deer in their front yard. I loved climbing on them. When I was a little thing, I could only climb onto the fawn. When we visited for their 40th wedding anniversary, I could climb the buck. She never told me to stop because I would potentially break them. I didn't have to sneak onto the deer. I could freely pursue something small and simple that made me happy.

When we visited my grandparents, I would go on daily walks through the neighborhood with my grandmother. We'd pass through a perfect suburbian neighborhood, passing the town library and the post office and that yard that had a totem pole. There was at least one mulberry bush on the path, and she knew I was drawn to mulberries as a moth to a flame. She didn't discourage me from indulging as long as we kept moving. There was no time to pack a lunch from the mulberry bush, but I could grab a couple berries as we passed. It was important to see an undertaking through to the end and not get too distracted along the way.

My grandmother was a school teacher when I was a child. I wrote to her after we moved away, and she used my letters full of childish importances to instruct her first grade class. It seemed I could be a good example for someone.

When my grandfather died, my grandmother busied herself with new pursuits. She took up the flute and violin, learned to tap dance, went to Europe with her sister a couple times. She made a point of having at least one meal a day with someone so she wouldn't feel alone. She was a firm believer in continuing education, and she never seemed to feel she was too old to learn how to do something new.

Two of the best holiday cookie recipes I have (candy cane cookies, cherry coconut bars) came from my grandmother. Holiday cookies are best made in large batches intended for sharing. Holiday baking is a ritual that was passed to me from my mother that I passed to my younger sister, and we still use those recipes. You have to share the best stuff because you want other people to have some awesomeness.

She had a prize box in her basement. If the grandchildren were well-behaved, they could select a prize from the prize box at the end of the visit. I got a battery-powered draw poker machine from that prize box that entertained the hell out of me on the train ride home. I love rewards that are actual rewards, and I'd still like to get prizes when I behave.

Once when I visited her, the neighborhood kids and my cousins had a bicycle race. I didn't learn to ride a bicycle until I was twelve so I kept time. My schoolteacher grandmother made blue ribbons for everyone who participated. They weren't lame "participant" ribbons; they were "first place" blue ribbons. On the back of each ribbon she acknowledged the individual talents and contributions. There were things like "First Place Cyclist - 10 Year-Old Division" and "Coolest Shoes." I got a blue ribbon for keeping time. It was pretty cheesy at the time, but I recognize that she wanted everyone to feel valuable and worthwhile. 

My grandparents celebrated their 40th wedding anniversary when I was ten. I hung out in the bar of the VA and chatted with the menfolk when I took breaks from passing out drink tickets at the door. I flipped through the photo albums of their married histories, albums I'd never seen previously. I was fascinated by these people whose pre-me lives I had never known. I'd love to get my hands on those albums today. It was curious that they were celebrating their 40th anniversary when the 50th was supposed to be the big one. My grandfather died of cancer within a couple years of the celebration. The lesson I took away from that was to celebrate every moment I could, commemorating what I felt was important because the celebrations carry you through the tough times you'll face.

I know I'm not the only person to face the death of a relative, and I know I'm not the only person to not know what emotions and experiences are appropriate in such a situation. Maybe I should keep a box of blue ribbons around to celebrate people's lives as they pass from mine. Maybe I'd write on Ellen's ribbon "Best Educator" or "Best Mom's Mom." Maybe she'd get "Best Attempted Redhead" or "Most Patience." 

Maybe most fitting for me to write would be "Challenge Accepted."

Thursday, August 6, 2015

Naturally

Now that the magazine is out, I can share this outtake from our trip to Desert Hot Springs.
Photo (c) Chris Beyond Photography

Want to know the story? Get Bachelor Pad Magazine Nightcap Edition and you can read Mr. Snapper's story. You can also see the first naked man in BPM! (I make a cameo in the story as well.)

I'll keep you posted on my next naked appearance. In the meantime, you can get my bunny slipper photo (uncensored) by SH Photo on the website.

Tuesday, July 21, 2015

Twenty Minutes

What can you accomplish when you just focus for twenty minutes? Twenty minutes a day dedicated to improving your burlesque presentation.

Today I spent twenty minutes just working on glove peels. It's a rare day of humidity in Los Angeles, my hands were sweaty, but I had twenty minutes of glove work on my to-do list. I set the timer on my phone and went to work. In playing around for twenty minutes, I worked out a move that is interesting and dynamic enough to me that I'm going to work it into some new choreography I'm doing in August. There are things to be tidied up, rehearsals to be done. I got it on video so I can reference it for improvement.

It got me to thinking what could be tackled in just twenty minutes a day. We all live busy lives. I talk to people all the time who just don't have time to focus on burlesque yet want to pursue burlesque. I'm going to try to focus twenty minutes each day on burlesque -- outside of answering emails and working on costumes. (Those things are already drilled into my daily routine already.)

What burlesque task can you tackle in twenty minutes?

- Working on stripping out of one garment. Perfect chance to brainstorm!
- Learning a new makeup technique.
- Repairing a damaged costume piece.
- Adding some embellishments to an existing costume piece.
- Assembling pastie bases so you have them ready for the next project.
- Learning a new dance move.
- Working through that one piece of choreography that isn't quite working yet.
- Practicing body angles.
- Perfecting a warm and inviting face for your audience.

Join me in focusing for twenty minutes a day for the next 31 days, will you?

(I spent twenty minutes learning how to better curl my hair a couple months ago. It's paid off quite well.)

Wednesday, June 24, 2015

Changing Values

It's not a bad idea to reflect on your values from time to time. It keeps you in check. Our values change as time passes. That's okay. It's normal to reevaluate what's important to you. Consider two things and decide which is higher on your priority list.

When I was brand new to burlesque, I would dance in every show that would have me. I wanted experience and connections and to entertain a multitude of people. Nowadays, I would much rather present professionalism and polish, hopeful to make more money. There's nothing wrong with either choice. The key is to evaluate what's important to you and keep that in mind when you're making decisions. Your values guide your choices.